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    London Evening Standard, Tuesday 17 June 1997.  
       
      There is no point denying it. There is now only one really hot topic of conversation among the chattering classes, and it is a television programme. I am referring, of course, to This Life, the BBC2 drama which is the brainchild of Amy Jenkins, daughter of the late Peter Jenkins, and is now said to dominate conversation at every smart dinner party in London.  
         
      It seems effortlessly to have overtaken "Corrie" and "Brookie" as a pop culture point of reference. I am obsessed with it. So is everybody else. Nobody wants to argue about who is their favourite Spice Girl any more - but I have seen an entire wedding reception set by ears on the question of who is the coolest This Life character. Women invariably plump for Posh Spice Miles, the arrogant public schoolboy barrister, played by Jack Davenport.  
         
      The guys, bless them, vote unanimously vote for Scary Spice Anna, the crazy chick barrister, partial to casual sex and drugs, toying with lesbianism and recently stabbed in the back by her ex-boyfriend Miles on the tenancy vote (surely you are au fait with these plot points?) She is played by Daniella Nardini, the Scots-Italian actress who is now challenging Helen Baxendale for the title of Sexiest Woman In Britain. Everyone, it seems, thinks Anna is best. Except me.  
         
      I want to make a late bid for the character of Rachel, played absolutely brilliantly by Natasha Little. The blonde, manipulative, early-twenties Rachel - her face an adorable picture of disingenuous openness - twists the affections of powerful menopausal men in the office, while cunningly patronising and undermining slightly older career women, like nice Milly. Every office worker in London knows a Rachel, and is fascinated by her. Rachel is the best This Life character and simply must be included in the group more. Meanwhile, if you want to pass muster in polite conversation, then get some video tapes from a mate. To paraphrase the FT ad: no This Life, no comment.  
         
      By Peter Bradshaw